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#Simon garfunkel bookends spoof free

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#Simon garfunkel bookends spoof pro

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Customer must enter coupon code during Checkout to receive discount.Simply enter the code MUSIC in the Promo Code field on the shopping cart page and click Apply to receive your discount. (My Gawd, I'm sounding like Mr.For a limited time, get 20% off orders of $30 or more! And that's OK.that's what makes you and I special. The mono, as has been posted here MANY times before, kicked the crud out of the stereo mix.īut, as with any critically acclaimed LP (this, Pet Sounds, Astral Weeks, etc.) You either get it or you don't. I have first pressings of both Mono and Stereo copies, and they are both great. Side Two should be taken for nothing more than it is. America is probably one of the most beautiful songs Simon ever wrote, and the 'Bookends' concept is well played from start to end-wrapping up right back at the beginning when you first plunked the needle into the lead in groove. Once that Moog kicks in, all bets are off.

From the beginning acoustic plucking, you think it'll just be another quiet S&G album. Side One is like a rollercoaster ride from start to end. IMHO, this is an LP where the sum of the parts is much greater than the parts themselves. Chilling, humbling, affects me like no other popular music album track I own. And the audio-verite recording of the old people is one of the boldest tracks on any 'rock' record ever. Dirty words for some but it hits the spot for me. It offers intelligence, without the cringe-worthy pretension that Simon was sometimes capable of, and restraint. Its not funky, soulful, heavy rocking, hip or any of the groovy things that modern critics seem to need to justify 'classic' recordings. But as I get older this is one album that I still find can move me and can also offer some new detail that I hadn't appreciated before. All of this stuff was a little too 'straight' for the hippy crowd back in the day, too 'ivy league angst' I guess. Alienation, self-doubt, the fragility of existence in a non 'head' way, ie less about counter culture drug philosophy and more about suburban 'normality' and the sometimes frightening glimpses of the void that can be seen through the cracks. The first side, the 'old friends' side is dealing with some pretty sombre stuff. Taken individually some of the songs may appear slight, but like 'Pepper' I think S&G and R.H were attempting a unified 'whole', a song cycle. From the cool cover thru to the superb production this album is one of the all-time greats.